FILM REVIEW: TRUE STORY By: Faiz No comments

Michael Finkel (Jonah Hill) and Christian Longo (James Franco) in True Story.

 

Trope-a-dope

 

By John Esther

 

Micheal Finkel (Jonah Hill) is in a bad way. He has just embellished and contrived a story for the New York Times and NYT has found out. Now a journalistic pariah (whose lack of integrity nowhere reaches the lows of Bill O'Reilly), Finkel has retreated to Montana with his girlfriend, Jill Barker (Felicity Jones), where he suffers rejection after rejection to write another piece.

 

If things were not bad enough for Finkel -- at his own fingers, mind you -- an accused killer out an Oregon has been using his name as an alias. Who needs publicity like that? Well, Finkel might.

 

So Finkel heads out to Oregon to meet Christian Longo (James Franco), who is in prison now awaiting trial. Longo is accused of killing his wife (Maria Dizzia) and their three young children (Connor Kikot, Charlotte Driscoll, and Stella Rae Payne).

 

On a basic level the two connect and strike up a deal, which could be mutually beneficial. Then again, and again, and again, people are known to lie.

 

Based on the titular book by Finkel and co-written by David Kajganich and director Rupert Goold, True Story is not a comedic endeavor from two of Hollywood's leading, busiest funny men. It is actually tragic when you consider the basic lesson of this true story is "never trust anyone."

 

While most of the film is fairly interesting and entertaining, there are a few scenes in True Story which ring a bit embellished and contrived as well. For example, Baker confronts Delongo in prison, giving him her two cents on what she thinks of him. Essentially, she is playing the mouthpiece of the indignant audience member(s). Then there is the scene where Finkel slugs out a men's bathroom stall in a court house. Nobody hears that...in a courthouse? Maybe that did happen but, in the spirit of True Story, this testimony on behalf of the filmmakers -- perhaps based on Finkel's account -- requires a little corroboration.

 

Nonetheless, in an era of rampant journalistic lies (hiding behind the faux-facade of "entertainment"), True Story reminds us to take anything we view with a grain a salt and a sneer of incredulous while truly appreciating those who do not lie for their own selfishness (or propagandistic endeavors).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FILM REVIEW: EVOCATEUR, THE MORTON DOWNEY JR. MOVIE By: Faiz No comments

Morton Downey Jr. and Rev. Al Sharpton in Evocateur, The Morton Down Jr. Movie.

Let the fools Rush in

By Ed Rampell

Somewhere along the way in this highly entertaining documentary one of the many interviewees asks: “Is this a passing fancy or are we looking at the front of the wave?” Where does the contemporary talk radio and cable TV talking head trend of mixing rudeness and rightwing politics come from? What is the broadcast origin point of this vogue of coarseness combined with conservatism, exemplified by current blowhards such as Rush Limbaugh, Sean Insanity Hannity, Bill O’Reilly, Glenn Beck, et al, ad nauseam, who know so little, but have so much to say, albeit loudly? 

Although this documentary doesn’t dwell on the matter, Évocateur The Morton Downey Jr. Movie implies that the radio/TV tendency of conservative crudeness really got off the ground with Morton Downey Jr.

Known as the “Father of Trash Television” (hey, there’s an epitaph to take with you to the hereafter!), Morton’s meteoric rise -- and fall -- took place in the late 1980s, as his talk show took Reagan-Bush’s America by storm. Morton’s belligerence and boorish behavior, along with his brand of pseudo-populist politics on behalf of the forgotten common man, was the flip side of Reagan’s beguiling persona, which masked mass murder in Central America. While William F. Buckley presented an erudite face for reactionary politics (he was really just an idiot savant), Morton’s moronic ravings was really a far more honest mode of expressing the rightwing lunacy masquerading as the free market or imperial foreign policy, which started running amok in the 1980s.

In addition to being lots of fun, this documentary about the big mouth that roared is very informative. For instance, I learned that rather than being “a man of the people,” this poseur was the son of a singing and movie star, and that in his tender youth Morty (known as “Sean” at the time) hobnobbed with the Kennedys. Morton also launched the political star of Al Sharpton, who was then an overweight activist defending the likes of Tawana Brawley (who was either a rape victim or a first rate hoaxster and huckster). Morton personified that special anger of Catholic men, whose natural sexuality is thwarted and displaced by a repressive church (see O’Reilly, Hannity, et al).

The abusive treatment of guests by this uncouth host and impolite studio audience as seen in copious clips of The Morton Downey Jr. Show prefigures Jerry Springer’s trailer trash television. The Ironbound Films doc also features a first rate “cast” of interview subjects, such as Gloria Allred (whose career as what some see as the “ambulance-chaser-in-chief” was likewise kickstarted by Morton when he shone the media spotlight on her), Pat Buchanan, Chris Elliott, Red Beret vigilante-type Curtis Sliwa, Sally Jesse Raphael, Alan Dershowitz and Bill Boggs, whom I fondly remember from New York midday television and discovered, much to my surprise, had executive produced Morton’s mayhem on the boob tube.

For those of us who remember, life did not end well for the hard drinking, chain smoking, womanizing Morton. His star shone only briefly, if brightly, in the media firmament. But if you want to learn where the number one skill for talk show hosts such as Chris Matthews or Bill O'Reilly -- the art of rudely cutting your guests off in mid sentence, so the host can pontificate and blather on and on -- is derived from, see the quite enjoyable Évocateur, The Morton Downey Jr. Movie. It may give you the same “chill up the leg” that President Obama gave Matthews, MSNBC’s centrist ranter-in-chief.

Évocateur, The Morton Downey Jr. Movie, is produced and directed by Seth Kramer, Daniel Miller and Jeremy Newberger.